Okay, I couldn't resist the pun. But the film is great. It excels on a number of levels.
Set in 1979, the story is about a group of kids who are shooting a DIY horror flick. One night, they sneak out of their houses at midnight to film at the local train station. As they are filming, they witness the local science teacher run his car into an oncoming train, causing a massive train wreck. The kids barely survive the experience and soon find out that the teacher wasn't trying to kill himself, he was trying to free something on the train. Something particularly nasty. And the worst part about it, the teacher was successful. A monster is let loose in the town, and chaos begins.
The film works as really good fright film. It also works as an homage to the works of Steven Spielberg (who produced the film). It also works as a display of the love of film making and the technical aspects that go into it.
J.J. Abrams knows how to work the camera and manipulate the audiences. The film is scary with out being overly gory. It gets its shocks from lulling the audience into expecting one thing and then delivering another. Abrams also uses a trick that Spielberg employed in Jaws when he only gives us a full view of the monster when he absolutely has to. Typically, he keeps the monster in the shadows, showing only the after effects of his carnage. This increases suspense and keeps the audience on its toes.
And the film is also a display of the love of film making. The kids are so passionate about the film they are creating that they are willing to risk anything for it--death, dismemberment, grounding--to get it finished. This allows the film to act as a meta commentary on itself. When the director of the film< Charles (Riley Griffiths) tells our lead, Joe Lamb (Joel Courtney) that he is introducing the detective's wife into the film because that will make the audience care about the zombie film's characters more, we are reminded that we are watching a young man in Joe Lamb who is still grieving from the loss of his mother months prior. And because we feel for his sorrow, we care about him more.
The film is set in 1979 by design. In the present day, in a world of smart phone that can shoot video, and digital recorders that can film faster and more immediate than Super 8 film, the story would not have time to develop as it does. Back in the dark ages of the late 70s, when a rush film development job took three days, you have more time for the subplots and chaos to develop. They stay pretty close to period, with some anachronisms here and there (one of the kids references a Rubik's Cube when the toy hadn't arrived on American shores until the next year and didn't become a crazy until a year or two after) but the tone they create is palpable and real.
There are some unanswered questions we are meant to suspend belief on (like how the science teacher, even considering he might have military connections, know that the monster was going to be transported on THAT train at THAT time). But all in all, the film is a great movie. And one you should go see,
