Friday, July 18, 2008

Movie: The Dark Knight

This movie almost lost me halfway through. I'm not going to spoil it, but it was something that had the comic fan in me saying "No! Tell me they didn't just do that!  Tell me it was a swerve!' It was, and when I found out it was that was the moment I fell in love with the movie completely.

This is a great movie. That should have come as no surprise for me because no less that three theater employees told me so on the way in.

This is a film that not only respects the characters but also the fans of the characters.

The acting was great all around. I had my doubts on Eckhart and Ledger based on the trailers, but the trailer didn't show the best part of their perfomances.

Is Ledger as good as they say? Yeah. Is he better than Jack Nicholson, well, it's like comparing apples and oranges. Nicholson was the best Joker for the movie he was in. Ledger for his. Will Ledger get an Oscar? I think its a worthy performance, but perhaps too out there for the Academy.

But I will say this, this probably is the best presentation of the Joker in any medium. He is an agent of chaos, a living embodiment of the Loki the trickster god. Part of that is due to Ledger, part of that is due to excellent writing.

I, unfortunately, did not get the Watchmen trailer. I instead got the Spirit, which looks positively awful.

 



Wednesday, July 16, 2008

I attended the DHL All-Star Fan-Fest 2008 on Monday!

I can not say how, but I got VIP passes to the DHL All-Star Fan-Fest at the Javitz Center in NYC! It was part of the celebration of the All-Star game that took place at Yankee Stadium yesterday.

I had a chance to walk around the city a bit before the event, and came across this lovely lady here. Apparently, there was a Liberty statue painted in the colors of every major league team and spread out all over the city. This one was in front of Madison Square Garden. The Cincinnatti Reds one was in front of a Models store in 80s. I would have liked to see that one live and in person.

MLB is actioning them all off. So, if you have a few thousand dollars lying around (opening bid for each is $5,000), you can click here for details. Proceeds of the auction go to benefit the Boys and Girls Club of America.

As for the Fan-Fest itself, it was great. Being a VIP meant that we got special access to a private area in the middle of the exhibition space and also admission to the event itself.

The VIP passes were a great perk. It gave you access to free food, a simulcast of the Home Run Derby, and a chance for a one-on-one autograph session with former MLB greats.

Who? Well, Darryl Strawberry:

 

 

Who was really nice. Also, Yankee Legend Bucky Dent:

 

 

 

And Dave Winfield also came out at the same time. By the time I got through the lines for Bucky Dent and Darryl Strawberry, Dave Winfield's was closed. My one gripe about the whole thing that I wish they staggered the players more. Anyway, here is Dave signing away.

 

 

 

They had about an hour before the next group of players came out, so my wife and I walked around for a bit.

The Fan-Fest is very family friendly. There are fun activities for kids and adults, You could have your image placed on a replica baseball card or the cover of the New York Post. You could go to a batting cage, have your pitches clocked for speed, or see how fast you could run the base paths.

There was also an auction house there auctioning off memorabilia. They had old baseball cards, jerseys, and pictures. A lot of stuff from Whitey Ford and Thurman Munson. Munson is one of my wife's favorite players, so we had to get a picture of Munson's MasterCharge card.

 

It might be blurry, but I assure you it's his!

They also had a replica of the clubhouse from the All-Star Game, which, having seen the clubhouses on the actual pre-game, looks nothing like them.

 

 

Here I am with former Red Josh Hamiltion's locker, at the moment he was at bat at the Home Run Derby.

 

We then headed back to the VIP area, which was in the shape of the a baseball diamond. We got back there just in time to see Dave Winfield being interviewed by FOX's Chris Myers. Unfortunately, he had to compete with Josh Hamiltion's awesome performace on the screen behind him.

 

Which was really unfair because Dave Winfield is a great speaker and was telling some great stories. But he didn't have it as bad as Wade Boggs, because he was being interviewed while the next autograph session began.

 

I'm pretty sure he was waving at me, not the woman in front of me. Yeah, I'm almost positive.

This time around, we didn't learned from our earlier mistake and made sure we got all the stars. And I'm glad we did because there was Graig Nettles:

 

Who had the best picture to have signed. And we got Mickey Rivers:

 

He was a really nice guy. As a matter of fact, they all were. And, last but not least, there was Steve Sax:

 

It was a blast to see all the player I grew up watching and be able to shake their hand. They said that Yogi Berra was signing somewhere in the building, but we didn't get to his autograph, which would have been nice.

We also got a chance to meet amd talk with Chris Myers, who was very personable and completely nice.

 

 

We also visited the Fan-Fest store. We spent more money than we should have considering we are about to go on a two-week vacation, but it was cool stuff. Like T-shirts and hats to remember the day. They even had the All-Star Game program. That was cool.

The Baseball Hall of Fame also brought some of their exhibits there. I got to see Tom Seaver's Reds jersey next to Mike Schmidt's:

 

As a Reds fan and a Schmitty fan, that was totally awesome. Here are some other pictures of jerseys throughout Baseball history:

 

 

 

 

 

 

 

There was also a store dedicated to Minor League baseball, where you could buy hats from almost all of the Minor League Baseball teams. I picked up a Sarasota Reds hat.

I heartily recommend the Fan-Fest if it ever comes to your town. I think tickets were only $30 a piece, and you got a lot for your money. Especially if you are a baseball fan and want to pass the love on to your kids.



I Rant About the Whole Brett Farve Thing

At the beginning of the 2007 season, the talk began again about Brett Favre retiring, as usually happened at the beginning of the last few seasons.

Favre decided not to retire, causing many writers to mock him, saying that he had a good run, but he should retire before he makes a fool of himself.

Favre proved them all wrong. He led a young and inexperienced Packers team to one game away from the Super Bowl. So great was Favre's cinderella story that even I, a Giants fan, would not be upset if he beat said Giants to get to another Super Bowl.

At the end of the 2007 season, Favre decided to take the pundits up on their advice. He tearfully announced his retirement and the Packers began grooming his replacement, Aaron Rodgers, to take over the starting QB job.

Favre showed a lot of class then. And he built up a lot of goodwill with me in those days. But that goodwill is almost all used up.

Favre has decided that he wants to play football again, And he wants to play someplace other than Green Bay because he asked the team to realease him (The Packers still hold the option on his contract).

The Packers refused. Two of the NFL teams in most need of a QB are Chicago and Minnesota, the Packers' divisional rivals.  If Brett wants to play, he can play in Green Bay. If he wins the starting job, they'd be happy to have him.

This isn't good enough for Brett, so a pissing match began.

I have to say, Favre is coming of like an arrogant jerk in this thing. Just look at what he said in an interview with FOX about the situation.

On competing for the Packers job:

"Why? That's what I would ask them: Why?"

 

On possibly being Rodgers back up: 

"We'll pay you $12 million, but you've got to hold the clipboard and ball cap? That's probably better for them as opposed to letting me go somewhere and me coming back. Then their legacy, the management, would, you know, could be in jeopardy."

See, Favre's typical aw-shucks demenor seems to have been replaced by outright egotism.

You'd think he'd at least try to show some loyalty to the Packers. Granted, he didn't start out as a Packer--he was drafted by the Atlanta Falcons, but he wouldn't be as famous as he is if it wasn't for the legacy of the Packers, the team they built around them and the promotion they gave him.

But Favre is coming off like a petulant child "I want to pway footbawl! I want to pway qwarterback! I don't want to compete! I want to be weleased!"

But the situation created by his retirement kind of forced the Packers hand. The organization has gone above and beyond what's expected in giving their vote of confidence to Rodgers, as well they should. What are they supposed to do? "We are 100% percent behind Aaron Rodg--what? Brett wants to come back? Sorry kid, Brett's back. Get lost. We are 100% behind Brett Favre..."

It's not fair to Rodgers to just be put aside now just because Big Baby Brett decided to flip flop on the retirement issue. Fair would be Brett becoming a back up or at least competing for the job. But the competetive drive in Farve is to big for that!

I would like to know where Brett thinks he's going if the Packers do realease him. Not many teams want to spend a lot of money or offer a long term contract to a 38-year old quarterback, even one of Favre's caliber. And the ones who are willing to take the risk and willing to make Favre the starter are ones with a shaky QB situation and, frankly, pretty much suck as a team. I'm sure that because he made the 2007 Packers perform above expectations, he can do it for any team.

But usually, these teams also have very weak offensive lines that Favre will have to play behind. Need I mention that Favre is on the cover of the latest Madden game and the Madden Curse that anyone on the cover gets injured during the season? Think about that Mr. Iron Man.  

I understand that Brett's competitive nature is part of what made him great and you can't just turn it off. But you have to think about the repurcussions of your actions. He retired. He caused the Pack to elevate Rodgers to their starting QB and put their faith in him. And they certainly don't want Favre playing for a divisional rival. Favre is hoping for a trade. I'm hoping he stays retired.  



Friday, July 11, 2008

My Take on the Entertainment Weekly 100 "New Classics" albums of the Last 25 Years

Entertainment Weekly recently did a special 1,000th issue. In it, they picked the 100 New classics in Film, Televison and Music. More than one blogger went through the various lists and added their two cents. This is something I wanted to do, so I was inspired by Johnny Bacardi, who in turn was inspired by Roger Green, to go ahead and do it for the music list.

I am going to comment on what albums I have, where I think EW got it right, and where it shows EW's lack of being in touch, if not their general overall whorish nature.

Code is as follows:

DNH: I don't have this in any form.

HOT: I have it on Cassette, but it hasn't been updated to CD yet.

HOCD: I have this one on CD

Here we go:

1. Purple Rain - Prince and the Revolution (1984): (DNH): Strangely enough, I do not have this album. I have Prince's greatest hits, but not this one.


2. The Miseducation of Lauryn Hill - Lauryn Hill (1998): (DNH): I think the mainstream media thinks Ms. Hill is better than she really is. Personally, I think Jill Scott, Erykah Badu and Macy Gray are better and I like more than this album.

3. Achtung Baby - U2 (1991): (HOCD): I'll admit that I think that U2 can be a bit pretentious at times, but this is one is one great album, chock full of great songs.

4. The College Dropout - Kanye West (2004): (HOCD): Okay, I like Kayne, and I have this CD, but is it really #4 out of the last 25 years? Really? There was a lot of stuff that came out in that time.

5. Madonna - Madonna (1983): (DNH): I have a couple later Madge album, thanks mainly to not returning a record club response card in time, but not this one. But putting this on the list is like showing films of Hank Aaron in the minor leagues to give you an idea of what kind of player he is

6. American Idiot - Green Day (2004): (HOCD): I love Green Day. Big fan. I think they out of anybody are the true forebears of the Ramones and American Punk Music. I was amazed by the reaction to this album, where the press was all amazed that they could put out a good punk album after being around for 10 years. Like the only good punk music is done my people in their 20s. I have two words to refute this: Good Charlotte.

7. The Blueprint- Jay-Z: (2001): (DNH): I like what I've heard from Jay-Z but don't have any albums. I might have to pick this one up.

8. Graceland - Paul Simon (1986): (HOCD): I like Paul Simon, but sometimes he makes me wince a bit. Not this album, though. I really like this album.

9. Back to Black - Amy Winehouse (2007): (HOCD): See, I get sad whenever I think of Amy Winehouse. I loved this album and think she has the potential to be truly great, but she seem to be on a fast-moving downward spiral. It's a shame when someone who has real talent, and I think Winehouse does, wastes it.  

10. In Rainbows - Radiohead (2007): (DNH): This is probably where I disagree with music critics most. They love Radiohead, and I can stand to listen to anything they put out after The Bends. This was free and I didn't even get it, that should tell you something.

11. MTV Unplugged in New York - Nirvana (1994): (HOCD): This is what frustrates me about EW. Instead of the raw brilliance of their debut Bleach, the sonic power of Nevermind, the never fulfilled potential of In Utero, they choose this, the one Nirvana CD your grandma is most likely to own, as their classic. Don't get me wrong, I like the album, but the others are more deserving of the term classics.

12. Stankonia - OutKast (2000): (HOCD): LIke Outcast and like this album, but think Speakerboxx/The Love Below is more deserving of the term "classic"

13. You Are Free - Cat Power (2003): (DNH): I don't have this one, but just downloaded "The Greatest" off eMusic. Does that count?

14. Disintegration - The Cure (1989): (HOT): I have come to grown to like the Cure. I didn't as much in high school.  

15. The Marshall Mathers LP - Eminem (2000): (HOCD): I like some Eminem, which makes me feel like I should register with the police. Some of his stuff is out there.

16. Rain Dogs - Tom Waits (1985): (DNH): I have friends, good friends, who like Tom Waits. I've borrowed stuff of his off them but he just doesn't do it for me. Listening to him is like listening to gravel talk for me (if gravel could talk, that is).

17. Odelay - Beck (1996): (HOCD): Beck is another critical favorite who I don't like as much as the music critics say I should. I think this is his best album, but I don't think every thing he does is genius. 

18. People's Instinctive Travels and the Paths of Rhythm - A Tribe Called Quest (1990): (DNH) Although, I do like what I've heard of TCQ.

19. Dangerously in Love - Beyoncé (2003): (DNH): Although I do have B'Day, which I think is a stronger album.

20. Tidal - Fiona Apple (1996): (HOCD) I like Fiona Apple and I like this album a lot. However, having her being on the list this high and Tori Amos, who, let's face it, Apple follows in the footsteps of, not being on the list at all really shows that EW has its head up its ass, I mean, really? I'm not saying this shouldn't be on here, but not before Little Earthquakes.  

21. The Emancipation of Mimi - Mariah Carey (2005): (DNH): I like her earlier stuff, and appreciate she made a comeback from the whole Glitter fiasco, but her latest stuff all sounds the same.

22. 3 Feet High and Rising - De La Soul (1989): (DNH): I like "Me, Myself and I" but don't have this album. 

23. The Soft Bulletin - The Flaming Lips (1999): (DNH): Part of me thinks I would like The Flaming Lips, but I haven't heard anything outside of "She Don't Use Jelly". 

24. Come On Over - Shania Twain (1997): (HOCD): Part of me, to the consternation of my wife, really likes country. It doesn't hurt when it's sung by a gorgeous woman either.

25. Turn On the Bright Lights - Interpol (2002): (DNH): I believe I have the follow up (or the one after that) and wasn't terribly impressed.

26. Time Out of Mind - Bob Dylan (1997): (DNH): I am torn about Dylan. I respect his artistry, but I really can't get into his later stuff.

27. Funeral - Arcade Fire (2004): (DNH): I have Neon Bible and like it quite a lot. I believe this one is on eMusic as well. Maybe I'll pick it up.

Oh, and BTW, I pretty sure that EW is picking all the older albums form today's trendy bands--instead of the albums that made their name for them--in an attempt to seem hip.

28. Illmatic - Nas (1994): (DNH): Never really got into Nas.

29. Breakaway - Kelly Clarkson (2004): (HOCD): I really, really like this album. I guess I should be embarrassed by admitting I like an albumn by an America Idol winner, but it won't be the most embarrassing admission from me on the list.

30. Appetite for Destruction - Guns N' Roses (1987): (HOCD): This truly is a classic. It's sad that Axl Rose has become an oddity. I mean, I could work on an album for 16 years and have it come out half way decent.  

31. FutureSex/LoveSounds - Justin Timberlake (2006): (HOCD): I mean this as a complement, but I believe Timberlake has the potential to be a modern day Michael Jackson. He is a good pop artist who sings solid pop songs. Of course, if you are including pop songs as "classics", then why no N'Sync or Backstreet Boys?

32. Life's Rich Pageant - R.E.M. (1985): (HOCD): I love R.E.M. I totally think they should have ranked higher. I do have to give EW credit for not going with the more obvious Out of Time or Automatic for the People for this list, although I think Fables of the Reconstruction is a better album.

33. As I Am - Alicia Keys (2007): (HOCD): I own this, and love the single from it, but have yet to listen to it all the way through. That happens a lot and has to stop.  

34. Is This It - The Strokes (2001): (HOCD): I have this, listened to it, and thought it was just okay. I think either of the Killers albums, The Vines, or even Franz Ferdinand should be on the list before this one.

35. Jagged Little Pill - Alanis Morissette (1995): (HOCD): I like Alanis and think this one should be on the list, but above/instead of Tori Amos of Sarah McLaclan? I don't think so.

36. CrazySexyCool - TLC (1994): (HOCD): I'll agree this qualifies as a classic. I don't love everything about it, but it was good.  

37. The Moon & Antarctica - Modest Mouse (2000): (DNH): See #27. Also, they opened for R.E.M. at MSG. First time I heard anything other than "Float On". A lot of shouting to disjointed music. Yeah, not for me.

38. Raising Hell - Run DMC (1986): (DNH): But they deserve a place on the list.

39. Sheryl Crow - Sheryl Crow (1996): (HOCD): I like Sheryl Crow. I feel like I shouldn't, or at least feel embarassed I do, but I do like her.

40. Ready to Die - The Notorious B.I.G. (1994): (DNH): I did listen to it. I though it was okay. I wonder if it would still be legendary if Biggie was still alive?

41. Legend - Bob Marley and the Wailers (1984): (HOCD): Isn't this a greatest hits collection? If that's the case, why aren't all of the 100 greatest hits collections?

42. Enter the Wu-Tang (36 Chambers)- Wu-Tang Clan (1993) (DNH): I like the Wu-Tang Clan in principle (and who wouldn't like a band with one or more comic book fans in its line-up) but never really heard enough to garner an opinion on their music.

43. Paul's Boutique - Beastie Boys (1989): (HOCD): Now this is a classic. I love the Beasties. This is the one where they went from Frat Rap to something more special.

44. Car Wheels on a Gravel Road - Lucinda Williams (1998): (DNH): I don't know much about Williams, but I get the impression that I ewould like her if I gave her the chance.

45. If You're Feeling Sinister - Belle and Sebastian (1996): (DNH): I don't know anything about Belle and Sebastian. Except that I think of a Disney movie whenever I hear their name.

46. Homogenic - Björk (1997): (DNH): I like maybe three songs by Bjork, but otherwise, she really grates on me. I don't think doing crazy stuff on record is automatically artistic.

47. Exile in Guyville - Liz Phair (1993): (HOCD): I love Liz Phair and this is the best representation of her. Good choice.

48. American IV: The Man Comes Around - Johnny Cash (2002): (HOCD): Johnny Cash is the man.

49. A Rush of Blood to the Head - Coldplay (2002): (DNH): I'm sorry but I think Coldplay is the sonic equivalent of warm milk. After I listen to them, I feel the need to take a nap. It doesn't mean they don't make good music, it's just not for me.

50. Sounds of Silver - LCD Soundsystem (2007): (DNH): This is another buzz band I have heard a lot of good reviews for. Maybe I should check them out. 

51. The Score - Fugees (1996): (DNH): I guess this is good for what it is. But, in my opinion, they have a great reputation for very little music. I'd like to hear more before I'd call them legends.

52. Ga Ga Ga Ga Ga - Spoon (2007): (HOCD): Actually, I have this on MP3 downloaded from eMusic. Since I didn't make an abbreviation for that, I guess this one will have to do. Another CD I have yet to listen to all of.

53. King of America - Elvis Costello (1986): (DNH): I like Elvis and am just starting to get into him more.  

54. Janet Jackson's Rhythm Nation 1814 - Janet Jackson (1989): (HOCD): See, this album is almost too good. Everything she put out is compared to this and, really, that's not fair.

55. It Takes a Nation of Millions... - Public Enemy (1988): (DNH): I have one of their greatest hits, and like what I've heard, but haven't picked up any individual albums yet.

56. Yankee Hotel Foxtrot - Wilco (2002): (DNH): I've liked what I've heard of Wilco, but never got any further into them.  

57. Harvest Moon - Neil Young (1992): (DNH): I like Neil Young a lot. One day, I might pick up more albums by him. All I have is his greatest hits.  

58. Surfer Rosa - The Pixies (1988): (DNH) I don't have this yet, but it is on eMusic.

59. Ray of Light - Madonna (1998): (HOCD): This was one of the Columbia House specials. It's a good disc. Frozen is a great song.

60. Crooked Rain Crooked Rain - Pavement (1994): (DNH): I tried getting into Pavement in the 90s, but at the time I didn't like what I heard. But I think if I listened to them now, I might like them better.

61. Paid in Full - Eric B. & Rakim (1987): (DNH) I've seen this on a lot of best-of lists. Maybe I should pick it up.

62. OK Computer - Radiohead (1997): (DNH) See #10.

63. The Joshua Tree - U2 (1987): (HOCD): The CD is actually my wifes, but I do have it on Tape as well. YEah, I don't really have to say much about how good it is. If you don't know, nothing I say could convince you.

64. Mama's Gun - Erykah Badu (2000): (DNH): I've liked what I've heard, but haven't bought anything by her.

65. Elephant - The White Stripes (2003): (DNH): This is the one White Stripes I don't have. I like the WS quite a lot. Eventually, I will have to buy this one too.

66. The Chronic - Dr. Dre (1992): (DNH): See, this is going to sound weird. But I'm not a pothead. I don't like it. So I really can't get past the title. That is my main reason for not picking it up.

67. Metallica - Metallica (1991): (HOT): I like this album a lot. I really should listen to more Metallica.

68. Wrecking Ball - Emmylou Harris (1995): (DNH): Emmylou Harris has worked with a lot of artists that I like. So I would probably like her if I gave her a chance. But I haven't really heard any of her work.

69. Give Up - The Postal Service (2003): (DNH): It might be just me, and this isn't a shot against The Postal Service, but there sure are a lot of hip and trendy Alt fave bands from the last five years on the list. Could they be classics eventually? Maybe. Are some of them classics now? Perhaps. Did they knock off other albums that should be considered classics off the list? Most definitely.

70. My Life - Mary J. Blige (1994): (DNH): In principle, I should like MJB. And I have liked what I have heard. But I guess not enough to delve any further.

71. Rock Steady - No Doubt (2001): (HOCD): I like No Doubt a lot, but I find myself hard pressed to consider any of their music "classic". It's good stuff, but will kids in 2021 be tracking it down? 

72. 1984 - Van Halen (1984): (HOCD): Another dead solid perfect choice for classic. Maybe not the best from the band, but one of the most influential.

73. The Queen is Dead - Smiths (1986): (DNH): Love the Smiths. I have the greatest hits, but no single records. Someday, I'll probably fix that.

74. Play - Moby (1999): (DNH): I almost bought this once or twice but never pulled the trigger.

75. Born in the U.S.A. - Bruce Springsteen (1984): (HOCD): Yes, classic.  

76. Heartbreaker - Ryan Adams (2000): (DNH): Ryan Adams is another artist I would like to hear more from. I liked Gold.

77. Dummy - Portishead (1994): (DNH): I've liked some of what I've heard, but I have never really been in the mood for to hear more.

78. Vs. - Pearl Jam (1991): (HOCD): This is a pretty good choice. It's more polished than Ten, less experimental that Vitalogy. Therefore, a good representative of the best period of the band.

79. Let It Be - The Replacements (1984): (HOT?): I like the Mats a lot, and they should be in the Hall of Fame, by the way, but I think I have this in Tape, not CD. Well, not yet anyway. 

80. Back to Basics - Christina Aguilera (2006): (HOCD): You know what? I like Xtina. She's got a great voice and she takes risks. At times playful, others heartbreaking. She, not Britney, is the modern day Madonna Only with better pipes.

81. The Downward Spiral - Nine Inch Nails (1994): (HOCD): NIN is a band I should really like, even today, yet we grew apart. This is a good representation, though.

82. Grace - Jeff Buckley (1994): (DNH): Never got into him.  

83. Learning to Crawl - The Pretenders (1984): (DNH) I never really liked the Pretenders. I don't know why. Maybe it has to do with the fact Chrissy Hynde scared me when I was a kid. She could be the sweetest woman on Earth, but she looks like she could cut you at a moments notice just to watch you bleed. At least to the stupid idiot kid version of me she did.

84. Low-Life - New Order (1985): (DNH): I like New Order but don't have any individual albums.

85. Home - Dixie Chicks (2002): (HOCD): Dixie Chicks rock. As does this album. Loaded with great songs.  

86. Loveless - My Bloody Valentine (1991): (HOCD): Funny thing is, I got this one when I was working in a record store in the late 90s. It was a promo that no one ever took home. It was like it was waiting there for years waiting for me. I'm glad it was, it is a deceptively good album. You kind of forget how good it is after you haven't listen to it.

87. All Eyez on Me - 2Pac (1996): (DNH): Yeah, I'm not a fan. See #40.

88. So - Peter Gabriel (1986): (HOT): Yeah, this is one great album. I like Peter Gabriel quite a bit. My wife does too. So I got that going for me, which is nice.  

89. Bachelor No. 2 - Aimee Mann (2000): (DNH): My wife is a Aimee Mann fan but I don't think she has this one.

90. Toxicity - System of a Down (2001):  (HOCD):  Odd to see System on this list. I mean, I think they're great, but not what you'd tinstantly think as classic.

91. Siamese Dream - Smashing Pumpkins (1993): (HOCD): Great album.

92. The Writing's on the Wall - Destiny’s Child (1999): (DNH): Is this pre-purge Destiny's Child (where they lost two members overnight and only got one in return)? Or post-purge?

93. Either/Or - Elliott Smith (1997): (DNH): I like Elliot Smith and have X/O. But not this one.

94. Synchronicity - The Police (1983): (DNH): I love Synchronicity 2 off the album, but I don't own this one. I own the Police greatest hits and that's about the same thing, almost.

95. Trap Muzik T.I. (2003): (DNH): Yeah, not at all familiar with this one. This is how I know I'm getting old.

96. Stories from the City, Stories from the Sea - PJ Harvey (2000): (DNH): I love early P.J. I should really catch up on her later stuff.

97. Britney - Britney Spears (2001): (HOCD): Yeah, I own a Britney Spears CD. But wait, it gets worse. I own EVERY Britney CD. It's worse still, Either of her first two CD's should be on this list instead of this one.

I am not proud. What can I say. I like pop music.


98. Transatlanticism - Death Cab for Cutie (2003): (DNH): This is another critical darling that I am unsure of. What I've heard I've kinda liked, but didn't seem worthy of all the accolades.

99. Live Through This - Hole (1994): (HOT): This is their breakthrough, and the closest thing they have to a "classic", but I like Celebrity Skin better. 

100. Faith - George Michael (1987): (DNH): I have the greatest hits, but not this one. This one was a "secret like". I was in high school when it came out, and if I admitted I liked it, I would be picked on mercilessly. And since I was already picked on mercilessly, I didn't need more punishment.

###

 By my count, I have 44 out of 100 (although it is quarter of two when I am writing this, and my math might be lacking).

Of course, as is the case with any of EW's lists, there are some glaring omissions. Like Dave Matthews Band, the first Jewel album, Tori Amos and Sarah McLachlan. Perhaps even Red Hot Chili Peppers, Foo Fighters, and maybe Weezer? There could have been more from R.E.M. Nirvana, and Pearl Jam. But the biggest omission has to be Michael Jackson's Thriller. It came out in 1983, same as Madonna's album. And no matter what kind of person Jacko turned out to be, you cannot deny that Thriller was one of the most legendary albums to come down the pike in the last 25 years. I'm not a fan of the man, but, cripes, I grew up in the 80s. Thriller was everywhere in the 80s.  

I think EW does this deliberately. Before these lists are even calculated they pull the most obvious choice out of consideration and add the most wacky, oddball choice as a definite. It gets people talking about the list and that means more people are talking about EW. And that's why I can't take these lists 100% seriously.   



Wednesday, July 9, 2008

Fun Stuff: Chicago Tribune’s REDEYE is running a “Best Superhero” tournament.

REDEYE, a supplement to the Chicago Tribune, is majorly cool. What makes them cool is that they occasionally create tournaments and pick groups of pop culture icons agains one another. Once it was the Simpsons, then it was the cast members of Saturday Night LIve.

 Now, it’s the superheroes turn. They are facing 32 superheroes of note against one another to determine the best superhero ever.

I would like to have been a fly on the wall for the selection process. Because they have a relatively obscure (from a general population standpoint) character like Black Panther on the list, but then they include characters that really don’t fit the definition of superhero (Popeye, for chrissakes!).

The first round is underway. You can make you selection known here.

Via: Gates Rants about Comics



Saturday, July 5, 2008

Movie: Hancock

I consider Hancock to not really be a movie. It is more like a Cliff's Notes version of a movie.

What do I mean by that? Let me explain.

Cliff Notes is a basic summary of a novel, telling you just what you need to know. This film seemed like a summary of some other movie. It went from plot point to plot point with little or no connective tissue between. You get enough to know whats going on, and to set up what's to come, and that's it. It's rather clumsy and sort of annoying.

This is bad, because we could have used a little fleshing out to make the rather abrupt tonal change at the end of the movie more plausible.

This film starts out as a comedy, which is fine. I can stand the superhero movie genre to be a place for laughs, but then it switches to a drama during the last half hour.

And the switch in tone is not done gradually. It's like they got the reels of the movies mixed up. You're watching a comedy then BANG, things get serious.

You need to let the audience know what they're in for. Especially if you are building to a dramatic climax. Because what lacks in the first half is characterization. The characters are pained in the broadest of fashion. This is okay if you are going for laughs, but if we are supposed to feel an emotional connection with these people to add pop to the ending, it just doesn't work.

That is not the only thing wrong with this movie. Hey, fellas, just so you know. If you put an info dump in the middle of the movie and not at the beginning, where it usually goes, it doesn't make it any less of an info dump. It only makes it more awkward.

Also, in a Mystery Science Theater 3000 sense, it might be fun to go through the film and play "Spot the Product Placement!". Not only do we have the typical visual product placement (including one for Jiffy Pop. Hancock has a case of the least convienient home popping pop corn in his home (why? I don't know.) which pops in a pivotal scene so that the cardboard covering convieniently faces the camera) but also a new, garish VERBAL product placement. People don't offer each other use of their sunglasses, they offer their Ray-Bans. They don't call their insurance company, they call State Farm. Each company name is spoken clearly and with such effect that you almost expected them to stop the movie so people could come up the aisles to see you insurance or sunglasses.

The cast does well with what little they're given. Will Smith gets by on his charm. Charlize Theron would be the definition of talent being wasted if it didn't seem that she was just phoning it in. Who comes out best is Jason Bateman. His acting helps make his character at least seem well defined. Eventually, he will get a great film for him to employ his great talent in.

So, yeah. Hancock rates as a pretty bad movie.  It's like everyone, with the exception of Bateman, just wanted to get through with the film in a hurry, cash the check and head home. The story had potential that was wasted. The tone was off and could have, should have been addressed better, and the characterization just didn't give the audience enough to care. Your money should be better spent elsewhere.



Movie: Wanted

 

This is the second of three movies we saw today. And it was good for what it is.

Yes, it is a comic book adaptation, but that shouldn't be held against it. It is quite different from the Millar/Jones miniseries. Only a small part of the book made it to the screen.

I blame the need in Hollywood to have characters you can root for as the hero in every single film. In the comic, there is not one single redeemable quality found in any character. Every one of them are scumbags.

Here, they are assassins instead of supervillains (and almost all the comic book tropes have been removed) but they only kill the people who deserve it. "Kill one to save a thousand" is the motto.

Personally, I think the changes improve the movie over the comic. The comic was Millar being as over-the -top as he could be, aiming for shock value but hitting it so often that the reader became numb to it. Yet, the story was rather plain.

The movie was better. Not that there weren't holes in the plot you could sail an aircraft carrier through. Things that if you thought to much about them, that they would make sense.

Butm if you could turn your brain off and weren't afraid of a little gore (because this flick had BUCKETS of blood), then you should enjoy yourself.  The stunt work is visually impressive and imaginative. If you are an action movie fan, then there is eye candy galore.

Good acting from Jolie and Freeman. Especially Jolie, whose character is the most well defined. McAvoy was annoying at times, even when his character wasn't supposed to be.

Bottom line: goiod popcorn flick, high art in the stunts category, but no Oscar winner.



Movie: Wall-E

In a marathon of moviegoing, the wife and I saw three movies today. One day and one theater complex, Whew. And Wall-E was the best.

Magical is the one word I would use to describe it (if I could use only one word. It is wonderful and awesome in the truest sense of both those words.

This is virtuoso filmmaking. Most of the beginning of the film is done in pantomime, which is not easy to do and keep your young audience interested. Pixar did it.

I never thought I'd ever be moved by the romance between two robots, but I was--and to tears even. Pixar invests more personality and characterization in all the characters in the movie than you'd see in 20 other films combined.

This movie rocked. Don't miss it while it is in the theaters, especially because there is a charming short before the feature.

 



Thursday, July 3, 2008

Movie: Kung Fu Panda

The weekend of July 4th will be the weekend the wife and I catch up on our movies. Before the weekend is over, we hope to see Wanted, Wall-E, and Hancock. But, since this movie was out the longest, we decided to see this one first.

I'll admit, I was hesitant to see this. I mean, Pixar had been eating Dreamworkslunch for years. So, I really didn't expect much from this film. But this might be the first Dreamworks film that matches Pixar in quality. It is that good.

This film is utterly charming. It works as a kid flick, a martial arts movie and a comedy. It mixes the tropes you find in kung fu flicks, and even Star Wars feel thrown in, and what you'd expect from a CGI film. You should definitely see this movie.

The voice action is first rate. As a matter of fact, this might be Dustin Hoffman's best performance in years.

It is a movie that adults will like as much as the kids. Although, take care with the young ones. There are some scary parts.